’Sun Without the Heat,’ a record that is playful and full of joy while holding the pain and tension of transformation.
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Kate Davis is following up her critically acclaimed 2023 album ‘Fish Bowl’ with the new track “Cunty Bang Bang.”
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Nashville-based Madi Diaz and Oshawa-born Lennon Stella teamed up on a new single, "One Less Question." The song was written by Diaz, Stella, Kate York, and Konrad Snyder, with Diaz co-producing alongside Snyder.
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'Jonny (Deluxe)’ is an expanded version of last fall’s intensely intimate and critically acclaimed new album that now includes twenty-one songs.
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Waxahatchee, the solo project of Alabama-born and Kansas City-based Katie Crutchfield, is returning with her most confident and resilient album to date.
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Sam Akpro returns with new single “Disposition”, a gut-punching groove for the late hours.
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The Great Bailout is Moor Mother aka Camae Ayewa’s ninth studio album and third with ANTI- Records. Called “the poet laureate of the apocalypse,” by Pitchfork.
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Glitterer, the former solo project of Title Fight’s Ned Russin, returns with a new offering – and now, Glitterer is a full band. Today, they announce their forthcoming LP, Rationale.
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With Weird Faith, Madi Diaz, who “makes even the most immovable feelings open up with just a little time and space” (Pitchfork), comes up against a problem that has dogged songwriters since time immemorial: how do you write about romance, or love, without making it sentimental or fake?
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‘Blue Raspberry’ dives headlong into the artifice of newfound intimacy: the glitter smeared across eyelid creases, the smiles switched on with an electric buzz, the synthetic rose scent all over someone who's made herself smell nice just for you.
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Legendary Country artist and performer Wynonna is sharing a new solo version of The Judds’ classic Christmas song “Beautiful Star of Bethlehem.”
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MJ Lenderman writes songs that are amorphous and elastic, rising to fill the venue they’re in, generous to accommodate the numbers of players on stage (an often unpredictable affair), less concerned with replicating the studio version than they are with meeting the crowd where they’re at.
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